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Church yard and the Residency in the Distance, Lucknow (b / w photo)
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Church yard and the Residency in the Distance, Lucknow (b / w photo)
NAM310750 Church yard and the Residency in the Distance, Lucknow (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info.: associated with the Indian Mutiny (1857-59); 88:The Residency is actually a group of buildings that were built in 1800 A.D by the then Nawab of Oudh, Nawab Saadat Ali Khan. It was constructed in order to serve as the residence for the British Resident General who was a representative in the court of Nawab; ); eNational Army Museum; British, out of copyright
Media ID 23383152
© National Army Museum / Bridgeman Images
Aftermath Arid Indian Landscape Rubble War Damage Architectural Remains
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EDITORS COMMENTS
This print titled "Church yard and the Residency in the Distance, Lucknow" captures a haunting scene of destruction and ruin. Taken by Felice Beato during the Indian Mutiny of 1857-59, it depicts the aftermath of war damage in Lucknow. In this image, we see a desolate churchyard with damaged buildings scattered amidst an arid landscape. The Residency, a group of buildings constructed as the residence for the British Resident General, looms in the distance. Its once grand architecture now reduced to rubble serves as a poignant reminder of the violence that unfolded during this tumultuous period. The photographer's lens skillfully captures both architectural remains and natural elements intertwined within this devastated scene. The contrast between lifeless ruins and untouched surroundings creates a powerful visual narrative reflecting on human conflict and its impact on landscapes. Beato's photograph not only documents historical events but also evokes emotions through his artistic composition. The monochrome palette adds to its somber tone while emphasizing intricate details within each element captured. Preserved at London's National Army Museum, this image stands as a testament to resilience amidst destruction. It invites viewers to contemplate the lasting consequences of war while appreciating photography's ability to freeze moments in time forever.
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