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Right-Hand Frontispiece from the Late Shahjahan Album, c
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Right-Hand Frontispiece from the Late Shahjahan Album, c
5932531 Right-Hand Frontispiece from the Late Shahjahan Album, c.1650 (opaque watercolor, ink, and gold on paper mounted on paperboard) by Mughal School, (17th century); 45 x 33 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Detached manuscript folio); Freer Gallery of Art, Smithsonian Institution; Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler; Indian, out of copyright
Media ID 23572942
© Freer Gallery of Art, Smithsonian Institution Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler / Bridgeman Images
Calligraphy Dynasty Folio Henri Vever Collection Lettering Mogul Moslem Mughal Nasta Liq Script Nastaliq Script
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This print showcases the exquisite "Right-Hand Frontispiece from the Late Shahjahan Album" created by the Mughal School in the 17th century. Measuring 45 x 33 cm, this artwork is currently housed at the Freer Gallery of Art, Smithsonian Institution in the USA. The piece features a stunning combination of opaque watercolor, ink, and gold on paper mounted on paperboard. It depicts an intricate composition that highlights elements of Indian and Islamic artistry. The delicate nastaliq script adorns the page with a beautiful poem, adding depth and meaning to the visual spectacle. Originally part of a detached manuscript folio, this artwork was acquired through various sources including Smithsonian Unrestricted Trust Funds and Dr. Arthur M. Sackler's contribution to enriching collections at the Smithsonian Institution. Every detail in this masterpiece reflects exceptional craftsmanship - from its ornate borders to its illuminated patterns. The fine calligraphy and handwriting further enhance its aesthetic appeal while showcasing the artistic prowess of Mughal dynasty artists who reigned over India from 1526 to 1858. This print allows viewers to appreciate not only its decorative qualities but also provides insight into South Asian and Himalayan art traditions. As we gaze upon this remarkable creation, we are transported back in time to witness a glorious era where art flourished under royal patronage.
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