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"St. Jamess Street in an Uproar, or The Quack Artist and his Assailants"
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"St. Jamess Street in an Uproar, or The Quack Artist and his Assailants"
CWA124812 " St. Jamess Street in an Uproar, or The Quack Artist and his Assailants", pub. by S.W. Fores, 1819 (coloured etching) by Marks, J.L. (19th century); City of Westminster Archive Centre, London, UK; (add.info.: caricature about the controversial artist Benjamin Haydon (1786-1846); set up a school to rival the Royal Academy with pupils incl. Charles and Thomas Landseer and William Bewick; supported the purchase of the Elgin Marbles for the nation; ); eWestminister Archives; English, out of copyright
Media ID 23367310
© Westminister Archives / Bridgeman Images
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The captivating print titled "St. Jamess Street in an Uproar, or The Quack Artist and his Assailants" takes us back to the vibrant streets of 19th century London. Created by J. L. Marks and published by S. W. Fores in 1819, this coloured etching offers a satirical glimpse into the controversial world of artist Benjamin Haydon. In this lively scene, we witness a chaotic uproar unfolding on St. James's Street. Carriages line the road as a boisterous crowd gathers around Haydon, who is depicted as a quack artist - someone who claims false expertise or skill. The artist finds himself at odds with his assailants, perhaps critics or rivals seeking to undermine his reputation. Haydon was known for establishing a rival school to the prestigious Royal Academy and counted influential artists such as Charles Landseer, Thomas Landseer, and William Bewick among his pupils. He also championed the acquisition of the Elgin Marbles for the nation's cultural heritage. This intriguing caricature not only captures the energy of street life but also serves as social commentary on artistic rivalry and public perception during that era. Preserved in City of Westminster Archive Centre in London, this historical artwork provides valuable insight into both art history and society at large during early 19th century England.
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