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Upper portion of the facade of St. Marks Church, 1862 (w / c on paper)

Upper portion of the facade of St. Marks Church, 1862 (w  /  c on paper)


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Upper portion of the facade of St. Marks Church, 1862 (w / c on paper)

STC230279 Upper portion of the facade of St. Marks Church, 1862 (w/c on paper) by Scott, William Bell (1811-90); Victoria & Albert Museum, London, UK; The Stapleton Collection; Scottish, out of copyright

Media ID 23352902

© The Stapleton Collection / Bridgeman Images

Basilica Doves Pigeons Roof San Marco Venetian Architecture


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> Animals > Birds > Columbiformes > Doves > Related Images

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> Arts > Artists > S > William Bell Scott

> Arts > Artists > S > William Scott

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> Europe > United Kingdom > England > London > Art > Paintings

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> Fine Art Finder > Artists > William Bell Scott

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EDITORS COMMENTS
This print showcases the upper portion of the facade of St. Marks Church, taken in 1862 by William Bell Scott. The exquisite watercolor on paper composition beautifully captures the intricate details and grandeur of this iconic Venetian landmark. The image transports us to Venice, where we are greeted by a magnificent roof adorned with statues and horses, showcasing the finest examples of Venetian architecture. The bronze horse statue stands proudly amidst a backdrop of doves gracefully soaring through the sky, adding an ethereal touch to the scene. As our eyes wander across the painting, we are captivated by the profiles of pigeons perched atop various elements of this majestic basilica. Their presence adds a sense of tranquility and harmony to this bustling cityscape. Scott's masterful brushstrokes bring life to each element within this artwork - from every feather on a dove's wing to every intricately carved detail on St. Mark's Church itself. This painting is not just a representation; it is an invitation for viewers to immerse themselves in its rich history and architectural splendor. Displayed as part of The Stapleton Collection at Victoria & Albert Museum in London, UK, this stunning piece serves as a testament to Scott's skill as an artist and his ability to capture both beauty and essence in his work.

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