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The Northern Colossus or Earl of Toadstool, pub. 1786 (hand coloured engraving)
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The Northern Colossus or Earl of Toadstool, pub. 1786 (hand coloured engraving)
3025362 The Northern Colossus or Earl of Toadstool, pub. 1786 (hand coloured engraving) by English School, (18th century); Private Collection; (add.info.: Sir James Lowther, First Earl of Lonsdale (1736 - 1802); ); The Stapleton Collection; English, out of copyright
Media ID 22232888
© The Stapleton Collection / Bridgeman Images
Broken Bridge Carlisle Corruption Liberty New Road Pointing Punch Signpost Toadstools Trampling Westminster Old Road River Eden
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The Northern Colossus or Earl of Toadstool - A Satirical Reflection on Power and Corruption
EDITORS COMMENTS
. This hand-colored engraving, titled "The Northern Colossus or Earl of Toadstool" offers a thought-provoking glimpse into the political climate of 18th-century England. The print depicts Sir James Lowther, the First Earl of Lonsdale, as a towering figure trampling over an old road and broken bridge while sailing in a sinking boat. This clever caricature symbolizes his controversial reign and highlights issues such as corruption and abuse of power. Intriguingly, the scene is set against the backdrop of Carlisle's River Eden, with an axe-wielding man pointing towards Westminster. The signpost adorned with toadstools further emphasizes the satirical nature of this artwork. It serves as a scathing commentary on Lowther's influence in politics, suggesting that he was like a poisonous fungus infecting the system. The artist skillfully incorporates elements such as liberty oak and Punch (a popular character representing social criticism) to convey their disdain for Lowther's actions. Through this cartoonish portrayal, they expose his disregard for public welfare by promoting new roads at the expense of existing infrastructure. This rare piece from The Stapleton Collection not only showcases exceptional engraving techniques but also invites viewers to reflect upon timeless themes surrounding governance and accountability. As we gaze upon this historical artifact today, it reminds us that satire has long been used as a powerful tool
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