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The Naughty Boy and His New Clothes (coloured engraving)
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The Naughty Boy and His New Clothes (coloured engraving)
979471 The Naughty Boy and His New Clothes (coloured engraving) by Merry, Tom (c.1852-1902); Private Collection; (add.info.: The Naughty Boy and His New Clothes. The imprisonment of Irish political agitator William O Brien, who refused to wear prison uniform. St Stephens Review Presentation Cartoon, 26 November 1887.); © Look and Learn
Media ID 22745538
© Look and Learn / Bridgeman Images
Agitator Bedding Cell Crying Great Bed Imprisonment Irish Home Rule Nationalist Nurse Prison Prison Uniform Refusal Refusing William O Brien William Obrien Beds Furnish Home Furnishing Punishment Upholstered Goods
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The Naughty Boy and His New Clothes
EDITORS COMMENTS
is a captivating coloured engraving that depicts the imprisonment of Irish political agitator William O'Brien in the late 19th century. The powerful image showcases O'Brien's refusal to wear the prison uniform, symbolizing his defiance against British rule and his unwavering nationalist beliefs. In this satirical cartoon, created by Tom Merry, we witness O'Brien sitting on a bed in his cell, surrounded by minimal furnishings. He is portrayed as a crying child being attended to by a nurse, highlighting the perceived vulnerability of an imprisoned politician. The artist uses caricature to emphasize O'Brien's refusal and resistance against authority. The historical context behind this artwork lies within Ireland's struggle for independence from Britain during the era of Irish Home Rule. O'Brien's imprisonment became a significant event in this movement, with his actions serving as inspiration for many nationalists. Merry's satirical drawing not only reflects the political tensions between Ireland and Britain but also provides commentary on power dynamics within Europe at that time. It serves as scathing satire towards both English imperialism and German influence over European affairs. This thought-provoking print invites viewers to reflect upon themes such as politics, punishment, nationalism, and resistance while appreciating the artistic skill employed in its creation.
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