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An Afghan Sirdar [officer] and a British soldier, c. 1841 (w / c)
![An Afghan Sirdar [officer] and a British soldier, c. 1841 (w / c)](/p/690/afghan-sirdar-officer-british-soldier-c-23665408.jpg.webp "An Afghan Sirdar [officer] and a British soldier, c. 1841 (w / c)")
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An Afghan Sirdar [officer] and a British soldier, c. 1841 (w / c)
5929352 An Afghan Sirdar [officer] and a British soldier, c.1841 (w/c) by Unknown Artist, (19th century); National Army Museum, London; (add.info.: An Afghan Sirdar [officer] and a British soldier, 1841 (c).
Watercolour on Oriental paper, by an Afghan artist.
This painting is by an Afghan artist and was painted around the time of the First Afghan War (1838-1842) for an unknown Afghan patron. It shows a mounted Afghan sirdar with a British soldier. It was found by Major-General Sir (later Field Marshal Lord) Frederick Roberts in Amir Sher AliAs palace in Kabul in October 1879, during the Second Afghan War (1878-1880). Roberts was so taken with his discovery that he had two of his officers paint a version with the British and Afghan roles reversed, with a Trooper of the 9th (QueenAs Royal) Lancers riding alongside a running Afghan soldier.); eNational Army Museum; out of copyright
Media ID 23665408
© National Army Museum / Bridgeman Images
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EDITORS COMMENTS
This print captures a significant moment in history, showcasing an Afghan Sirdar officer and a British soldier in the early 19th century. Painted by an unknown Afghan artist around the time of the First Afghan War, this watercolor on Oriental paper was commissioned by an unidentified Afghan patron. The painting was discovered by Major-General Sir Frederick Roberts during the Second Afghan War in 1879, inside Amir Sher Ali's palace in Kabul. Struck by its beauty and historical significance, Roberts had two of his officers create a version with the roles reversed – featuring a Trooper of the 9th (Queen's Royal) Lancers riding alongside a running Afghan soldier. This image not only serves as a remarkable souvenir from that era but also provides valuable insights into society and culture at that time. It showcases the close interaction between British troops and their Afghan counterparts, highlighting their shared experiences amidst conflict. The presence of cavalry emphasizes the importance placed on military strength during this period. The painting offers us a glimpse into both armies' armed forces while shedding light on their respective traditions and uniforms. Preserved within London's National Army Museum, this artwork stands as a testament to cross-cultural encounters during times of war. Its historical value extends beyond mere aesthetics; it represents an enduring connection between nations through artistry and diplomacy.
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