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The Adoration of the Magi, c. 1619 (oil on canvas)

The Adoration of the Magi, c. 1619 (oil on canvas)


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The Adoration of the Magi, c. 1619 (oil on canvas)

DAY234992 The Adoration of the Magi, c.1619 (oil on canvas) by Vignon, Claude (1593-1670); 194.3x137.8 cm; The Dayton Art Institute, Dayton, Ohio, USA; eDayton Art Institute; Museum purchase in honour & memory of Virginia V Blakeney; French, out of copyright

Media ID 22951506

© Dayton Art Institute Museum purchase in honour & memory of Virginia V Blakeney / Bridgeman Images

Birth Joseph Nativity Three Kings Worship


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The Adoration of the Magi

EDITORS COMMENTS
by Claude Vignon is a breathtaking oil painting that captures the essence of this biblical scene. In this magnificent artwork, we witness the arrival of three wise men, or magi, who have traveled from afar to pay homage to the newborn Jesus. The composition is rich in symbolism and detail. The central focus lies on Mary and Joseph, tenderly cradling their infant son. The figures are bathed in warm light, emphasizing their divinity and radiating a sense of awe and reverence. Surrounding them are the three kings, adorned in regal attire and bearing gifts fit for a king – gold, frankincense, and myrrh. Their expressions reflect both wonderment and adoration as they kneel before baby Jesus. Vignon's masterful brushwork brings life to each character; their gestures convey deep emotion while intricate details enhance the overall narrative. From Mary's serene countenance to Joseph's protective stance, every element contributes to an atmosphere of profound spirituality. This piece serves as a reminder of the significance of Christ's birth within Christianity. It invites viewers to contemplate not only the historical event but also its spiritual implications for believers around the world. Displayed at The Dayton Art Institute in Ohio, USA, this print allows art enthusiasts to bring home a glimpse into one of history's most cherished moments – an exquisite portrayal that continues to inspire faith and devotion centuries after its creation.

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