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Sudbourne Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

Sudbourne Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b / w photo)


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Sudbourne Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

CLF311842 Sudbourne Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer, (20th century); (add.info.: built by James Wyatt (1746-1813) in 1784 for Francis Seymour-Conway, 1st Marquess of Hertford; demolished 1953;); © Country Life

Media ID 32410381

© © Country Life / Bridgeman Images

Conservatory Georgian Architecture Neo Classical Architecture Neoclassical Orangery


FEATURES IN THESE COLLECTIONS

> Architecture > Country > England

> Architecture > Country > Georgia

> Architecture > Styles > Classical Architecture

> Architecture > Styles > Georgian Architecture

> Architecture > Styles > Neoclassical Architecture

> Arts > Art Movements > Neoclassicism

> Arts > Artists > B > James Bayes

> Arts > Artists > S > James Seymour

> Asia > Georgia > Related Images

> Fine Art Finder > Architecture - British Isles

> Fine Art Finder > Artists > English Photographer


EDITORS COMMENTS
This photograph, taken by an English photographer in the 20th century, showcases Sudbourne Hall as featured in Giles Worsley's book "England's Lost Houses". Published in 2002, this print captures the essence of a lost architectural gem. Sudbourne Hall was constructed in 1784 by James Wyatt for Francis Seymour-Conway, the 1st Marquess of Hertford. However, its grandeur was short-lived as it met its demise in 1953. The neoclassical architecture of Sudbourne Hall is beautifully highlighted through this lens. The facade exudes elegance and sophistication with its curved bay windows and intricate detailing. The stately home stands proudly amidst lush gardens that surround it, creating a picturesque scene that transports us back to the enchanting days of the eighteenth century. One cannot help but be drawn to the conservatory or orangery visible on one side of the hall. It adds a touch of whimsy to this neo-classical masterpiece while also serving as a testament to the love for nature prevalent during that era. Through this photograph, we are reminded not only of England's rich architectural heritage but also how time can erase even the most magnificent structures. This image serves as both a visual delight and a poignant reminder that beauty can sometimes be fleeting.

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