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Page from The British Working Man or One Who Does Not Believe In Him (engraving)

Page from The British Working Man or One Who Does Not Believe In Him (engraving)


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Page from The British Working Man or One Who Does Not Believe In Him (engraving)

3632438 Page from The British Working Man or One Who Does Not Believe In Him (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration for The British Working Man or One Who Does Not Believe In Him and other sketches by J F Sullivan, engraved by Dalziel Brothers (Fun Office, 1878).); © Look and Learn

Media ID 22973768

© Look and Learn / Bridgeman Images

1877 Charge Comedy Company Corner Damaged Gate Hurrying Ingenuity Institutions Meets Pavements Preservation Storm Struggled Taking The British Working Man Umbrella Barnes Common Busiest Prettiest


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> Arts > Artists > D > Dalziel Brothers Dalziel Brothers

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> Popular Themes > Railway Posters

> Posters > Railway Posters

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EDITORS COMMENTS
This humorous engraving from the 19th century captures a comical encounter between the British working man and an unexpected storm. The scene depicts a crowded railway platform, with people hurrying to find shelter from the rain under their umbrellas. In this chaotic moment, the ingenuity of the British is on full display as they struggle to preserve their dryness. The satirical sketch, part of "The British Working Man or One Who Does Not Believe In Him" series by J. F. Sullivan, offers a light-hearted commentary on British institutions and work culture. The artist cleverly portrays the peculiarities of everyday life in Great Britain through his amusing depiction of crowds and busy pavements. Despite being damaged over time, this print has been preserved in private collection for its historical significance and comedic value. It serves as a reminder of the unique sense of humor that pervades British society. While poking fun at both Germans and Britons alike, this artwork also sheds light on cultural differences between Germany and Great Britain during that era. It subtly hints at how Germanic traditions contrasted with those in England. Overall, this satirical engraving provides an entertaining glimpse into 19th-century Britain's bustling railway stations while offering a lighthearted reflection on societal norms and cultural diversity within Europe.

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