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Nuthall Temple, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
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Nuthall Temple, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311816 Nuthall Temple, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer, (20th century); (add.info.: built 1754-57, probably by Thomas Wright, for Sir Charles Sedley; based on Vincenza Scamozzi's Rocca Pisani, and loosely based on the model of Palladio's Villa Rotunda; demolished in 1929;); © Country Life
Media ID 32405780
© © Country Life / Bridgeman Images
Country House Destroyed Dome Neoclassical Palladian Architecture Pediment Portico Steps Neo Classical
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EDITORS COMMENTS
This photograph captures the grandeur of Nuthall Temple, a lost gem of England's architectural history. Taken from Giles Worsley's renowned book "England's Lost Houses" this print showcases the remarkable craftsmanship and beauty that once graced this magnificent structure. Built between 1754-57 by possibly Thomas Wright for Sir Charles Sedley, Nuthall Temple was inspired by Vincenza Scamozzi's Rocca Pisani and Palladio's Villa Rotunda. Its neoclassical design boasted a stunning dome, elegant facade, and an impressive portico adorned with a pediment. The entrance steps invited visitors into a world of Georgian opulence. Sadly, Nuthall Temple met its tragic fate in 1929 when it was demolished, leaving only memories behind. However, through this photograph captured by an English photographer from the 20th century (whose name remains unknown), we can still appreciate the splendor that once stood on these grounds. The image perfectly encapsulates the allure of Palladian architecture and highlights the significance of country houses in British history. With its impeccable composition and attention to detail, this photograph serves as both a testament to Worsley's expertise as well as an homage to Nuthall Temple itself. Displayed proudly in any collection or gallery space, this print is not just a piece of art but also a window into England's rich architectural heritage. It stands as a reminder that even though some treasures may be lost to time, their
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