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Sickleleaf silkgrass or sickle-leaved golden aster, Pityopsis falcata (Sickle-leaved chrysopsis, Chrysopsis falcata)
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Sickleleaf silkgrass or sickle-leaved golden aster, Pityopsis falcata (Sickle-leaved chrysopsis, Chrysopsis falcata)
6339739 Sickleleaf silkgrass or sickle-leaved golden aster, Pityopsis falcata (Sickle-leaved chrysopsis, Chrysopsis falcata) by Endicott (18th-19th century); (add.info.: Sickleleaf silkgrass or sickle-leaved golden aster, Pityopsis falcata (Sickle-leaved chrysopsis, Chrysopsis falcata). Handcoloured lithograph by Endicott after a botanical illustration from John Torreys A Flora of the State of New York, Carroll and Cook, Albany, 1843. The plates drawn by John Torrey, Agnes Mitchell, Elizabeth Paoley and Swinton. John Torrey was an American botanist, chemist and physician 1796-1873.); © Florilegius
Media ID 25215686
© Florilegius / Bridgeman Images
A Flora Of The State Of New York Agnes Mitchell Botanical Art Draughtsman Elizabeth Paoley Endicott Illustrating John Torrey Lower New York New York City New York Scientific Illustration Swinton Vue De New York America Continent Botanical Plate
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EDITORS COMMENTS
This print showcases the beauty of the Sickleleaf silkgrass or sickle-leaved golden aster, also known as Pityopsis falcata or Sickle-leaved chrysopsis. The handcoloured lithograph by Endicott is a reproduction of a botanical illustration from John Torreys A Flora of the State of New York, published in Albany in 1843. The meticulous attention to detail and vibrant colors bring this scientific illustration to life. It is evident that both artistry and scientific accuracy were valued in creating this piece. The plates drawn by John Torrey, Agnes Mitchell, Elizabeth Paoley, and Swinton demonstrate their expertise as botanical artists. John Torrey himself was an accomplished American botanist, chemist, and physician who made significant contributions to the field of botany during his lifetime (1796-1873). His collaboration with talented illustrators like Mitchell, Paoley, and Swinton resulted in visually stunning representations of plant species found in New York. This print not only serves as a valuable resource for studying botany but also highlights the intersection between art and science. It reminds us that scientific illustrations can be both informative and aesthetically pleasing. Overall, this artwork captures the essence of Victorian-era botanical art while showcasing the diversity and natural beauty found within North America's flora. Its inclusion in Fine Art Finder's collection ensures its preservation for future generations to appreciate both its artistic value and scientific significance.
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