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The Trench of the Valley of Chamonix and the Peaks above the Trench, c. 1856 (pen & ink and w/c on wood)

The Trench of the Valley of Chamonix and the Peaks above the Trench, c. 1856 (pen & ink and w / c on wood)


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The Trench of the Valley of Chamonix and the Peaks above the Trench, c. 1856 (pen & ink and w/c on wood)

4603415 The Trench of the Valley of Chamonix and the Peaks above the Trench, c.1856 (pen & ink and w/c on wood) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; (add.info.: Ink and watercolour schematic drawing on wood block of two mountain ridges/trenches. According to 1904 exhibition catalogue of Ruskin Exhibition (Manchester City Art Gallery) it was one of a number intended for Modern Painters but later cancelled, wood engraving not being adequate to reproduce a wash drawing. This was intended for figs 20 and 21, Modern Painters vol. 4 (pp202 and 203), The Trench of the Valley of Chamonix and the Peaks Above the Trench'.); © Manchester Art Gallery

Media ID 32119374

© Manchester Art Gallery / Bridgeman Images

Alpine Alps Block Chamonix Mountain Scenery Moutains Peaks Printing Romanticist The Alps Trench Turner


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The Trench of the Valley of Chamonix and the Peaks above the Trench

EDITORS COMMENTS
is a captivating print that transports viewers to the breathtaking alpine landscape of Chamonix. Created by John Ruskin in 1856, this pen and ink with watercolor on wood artwork showcases his meticulous attention to detail and mastery of capturing natural scenery. The image depicts two mountain ridges or trenches, beautifully rendered with delicate lines and subtle washes. Ruskin's intention was for these drawings to be included in his renowned work "Modern Painters" but they were ultimately cancelled due to technical limitations in reproducing the intricate watercolor effects through wood engraving. This piece exudes a sense of tranquility as it invites us into a rural countryside setting amidst towering peaks. The artist's romanticist approach shines through, evoking emotions of awe and wonder at nature's grandeur. Each stroke on the wooden block sketch reflects Ruskin's deep appreciation for mountainous landscapes, reminiscent of works by J. M. W Turner. With its turneresque charm, this print captures not only the physical beauty but also conveys a sense of serenity found within such majestic surroundings. It serves as a reminder that even in our modern world, there are still untouched pockets where nature reigns supreme. Displayed at Manchester Art Gallery in the UK, this artwork stands as an enduring testament to Ruskin's artistic prowess and continues to inspire admiration for both his skillful technique and profound connection with nature.

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