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Triptych: The Annunciation (oil on panel) (see also 477850)

Triptych: The Annunciation (oil on panel) (see also 477850)


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Triptych: The Annunciation (oil on panel) (see also 477850)

477849 Triptych: The Annunciation (oil on panel) (see also 477850) by Utrecht, Jacob Claesz. von (c.1480-1524); 93.3x135.9 cm; Private Collection; (add.info.: Left wing: portrait of Hermann Plonnies, Ratscherr of Lubeck, with St. Matthew
Right wing: portrait of his wife, Ida Greverade, with St. Catherine of Alexandria
); Photo eChristies Images; Dutch, out of copyright

Media ID 23305732

© Christie's Images / Bridgeman Images

Altarpiece Annunciation Catherine Of Alexandria Gabriel Lilies Lubeck Martyrs Matthew Open Panels Triptych Northern Renaissance


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> Arts > Art Movements > Landscapes

> Arts > Art Movements > Renaissance Art

> Arts > Artists > J > Jacob Jacobs

> Arts > Contemporary art > Landscapes > Portraits

> Arts > Contemporary art > Portraits > Landscape paintings

> Arts > Landscape paintings > Cityscape art > Landscape paintings

> Arts > Landscape paintings > Cityscape art

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Landscape paintings > Architectural paintings

> Arts > Still life artwork > Landscape paintings > Cityscapes

> Fine Art Finder > Artists > Edward Robert Hughes

> Fine Art Finder > Artists > Jacob Claesz. von Utrecht

> Fine Art Finder > New Testament


EDITORS COMMENTS
This print showcases Jacob Claesz. von Utrecht's stunning triptych painting, "The Annunciation". The artwork, created with oil on panel, measures 93.3x135.9 cm and is held in a private collection. In the left wing of the triptych, we see a portrait of Hermann Plonnies, Ratscherr of Lubeck, accompanied by St. Matthew. On the right wing, his wife Ida Greverade is portrayed alongside St. Catherine of Alexandria. Each figure stands against an ornate background that beautifully complements their presence. The central panel captures the momentous scene of the Annunciation itself - Mary kneeling before an angel Gabriel who brings her divine news while holding an open Bible. The intricate details within this section highlight Northern Renaissance influences and showcase Utrecht's mastery as a painter. The composition also includes elements such as saints, lilies symbolizing purity and virginity, and a cityscape in the background to provide context to this biblical event taking place within a town setting. This remarkable altarpiece demonstrates Utrecht's ability to combine portraiture with religious narrative seamlessly. Through his brushstrokes and attention to detail in architecture and landscape alike, he transports viewers back in time to witness this sacred encounter between Mary and Gabriel. Bridgeman Images has expertly captured this masterpiece through their lens for all art enthusiasts to appreciate its beauty even if they cannot view it firsthand at its undisclosed location.

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