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Cover of "Le Grelot", number 1284, Satirique en Couleurs

Cover of 'Le Grelot', number 1284, Satirique en Couleurs


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Cover of "Le Grelot", number 1284, Satirique en Couleurs

ICA4923690 Cover of " Le Grelot", number 1284, Satirique en Couleurs, 1895_11_17: Hardi, les gas! - Anticlericalism, Impots - Failure of the Church - Bourgeois Leon (1851-1925), Mesureur Gustave (1847-1925), Cures, Eveques - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 1284, Satirique en Couleurs, 1895_11_17: Hardi, les gas! - Anticlericalism, Impots - Failure of the Church - Bourgeois Leon (1851-1925), Mesureur Gustave (1847-1925), Cures, Eveques - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright

Media ID 22322400

© Caricadoc / Bridgeman Images

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EDITORS COMMENTS
This print showcases the cover of "Le Grelot", number 1284, Satirique en Couleurs. Dated November 17,1895, this satirical publication boldly addresses anticlericalism and the failure of the Church in France during that time. The illustration by Edouard Guillaumin (Pepin) captures the essence of this social commentary with its clever depiction of various figures. The image portrays a group of men labeled as Bourgeois Leon and Mesureur Gustave alongside priests and bishops. They are shown climbing a tree while holding bags marked "Impots" (taxes), symbolizing their role in burdening society with financial obligations. This allegorical representation highlights the pressing issue of tax reform faced by French citizens at that period. The engraving exudes political significance as it critiques government policies through satire and caricature. It serves as a powerful reminder of how art can be used to express dissenting opinions and shed light on societal issues. With its intricate details and thought-provoking symbolism, this photograph offers viewers a glimpse into French history during the late 19th century. It is an intriguing piece that not only reflects the artistic talent of Edouard Guillaumin but also provides valuable insights into political reform, press freedom, and public sentiment during that era.

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