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The Worship of the Golden Calf, c. 1630-35 (oil on panel)

The Worship of the Golden Calf, c. 1630-35 (oil on panel)


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The Worship of the Golden Calf, c. 1630-35 (oil on panel)

FIT58887 The Worship of the Golden Calf, c.1630-35 (oil on panel) by Francken, Frans II the Younger (1581-1642); 56.8x86.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Flemish, out of copyright

Media ID 23348568

© Fitzwilliam Museum / Bridgeman Images

Exodus Feast Idol Idolatry Israelites Moses Tent


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The Worship of the Golden Calf, c. 1630-35

EDITORS COMMENTS
is a captivating oil painting by Frans Francken II the Younger that depicts a pivotal biblical scene from the Old Testament. In this mesmerizing artwork, we are transported back in time to witness the Israelites' betrayal of Moses and their descent into idolatry. The scene unfolds within a vibrant tent adorned with rich tapestries and ornate decorations. The artist skillfully captures the chaos and frenzy as people engage in a bacchanalian orgy around the golden calf, symbolizing their worship of false idols. The figures are depicted with meticulous detail, showcasing Francken's mastery in capturing human emotions and expressions. This powerful religious image serves as a reminder of humanity's propensity for temptation and our constant struggle between faith and worldly desires. It offers viewers an opportunity to reflect on themes such as obedience, devotion, and spiritual awakening. Displayed at Fitzwilliam Museum in Cambridge, UK, this masterpiece continues to captivate audiences with its intricate composition and profound narrative. As we gaze upon "The Worship of the Golden Calf" we are reminded of our own vulnerabilities while contemplating timeless questions about faith, morality, and the consequences of straying from one's beliefs. Through his remarkable brushwork and storytelling abilities, Francken transports us into this ancient biblical tale – inviting us to ponder our own relationship with religion amidst a world filled with distractions.

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