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The Patriotick Barber of New York, or the Captain of the Suds, 18th century (w / c
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The Patriotick Barber of New York, or the Captain of the Suds, 18th century (w / c
AMO110710 The Patriotick Barber of New York, or the Captain of the Suds, 18th century (w/c, pen & ink on paper) by Dighton, Robert (1752-1814); 20.9x14.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright
Media ID 22782206
© Ashmolean Museum / Bridgeman Images
American Revolution Barbershop Crate Hairdresser Propaganda Shaving
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EDITORS COMMENTS
This 18th-century print titled "The Patriotick Barber of New York, or the Captain of the Suds" by Robert Dighton offers a humorous and satirical glimpse into the world of barbershops during the American Revolution. The artist's skillful use of watercolor, pen, and ink on paper brings to life a scene filled with lively characters and intricate details. In this cartoon-like depiction, we see an American hairdresser proudly donning his barber's apron while holding a pair of scissors in one hand and a razor in the other. His exaggerated wig adds to his flamboyant appearance as he stands confidently next to his wooden crate labeled "propaganda". This clever play on words suggests that even barbers had their role in shaping public opinion during this tumultuous period. The composition is filled with subtle references to both British and American symbols. From the Union Jack flag draped over a chair to various patriotic emblems scattered around the room, it becomes clear that this image was meant to convey political messages through humor. It serves as a reminder that even seemingly ordinary professions like barbering were not immune from being caught up in revolutionary fervor. "The Patriotick Barber of New York" is not only an amusing caricature but also provides valuable insight into societal attitudes towards patriotism, fashion, and personal grooming during this pivotal moment in history. As we admire this artwork at Ashmolean Museum today, we are transported back in time to witness how art can serve as both
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