Mr Wyatts Atelier, or Model-Room, published in The Illustrated London News

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Mr Wyatts Atelier, or Model-Room, published in The Illustrated London News

XJF437958 Mr Wyatts Atelier, or Model-Room, published in The Illustrated London News, 11th July 1846 (engraving) by Landells, Ebenezer (1808-60); Private Collection; (add.info.: The studio of Victorian artist Matthew Cotes Wyatt (1777-1862) on the Harrow Road, London; The work in progress that is seen inside the studio is Wyatts monumental bronze of the Duke of Wellington (1769-1852) which originally stood on top of Wellingtons Arch at Hyde Park Corner; The artist is seen posing in the centre of the studio; ); British, out of copyright

Media ID 12880898

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Headless Making Sculptor Under Construction Craftsmen

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> Europe > United Kingdom > England > London > Towns > The Hyde

> Fine Art Finder > Artists > Ebenezer Landells

EDITORS COMMENTS
This print, titled "Mr Wyatts Atelier, or Model-Room" takes us back in time to the bustling studio of renowned Victorian artist Matthew Cotes Wyatt. Published in The Illustrated London News on July 11th, 1846, this engraving by Ebenezer Landells offers a fascinating glimpse into the creative process behind one of Wyatt's most significant works. The focal point of the image is undoubtedly Wyatt's monumental bronze sculpture of the Duke of Wellington. This impressive piece, originally situated atop Wellingtons Arch at Hyde Park Corner, stands headless but exudes an undeniable sense of power and grandeur even in its unfinished state. Surrounding it are various tools and materials that speak to the meticulous craftsmanship required for such a project. In the center of his bustling atelier stands Mr. Wyatt himself, posing confidently amidst his work-in-progress. His presence adds a personal touch to this snapshot from history as we witness him immersed in his artistic world. Beyond capturing a moment frozen in time within Mr. Wyatts studio walls, this print also serves as a testament to the dedication and skill required for creating enduring works of art. It invites us to appreciate not only the final product but also the laborious journey undertaken by craftsmen like Matthew Cotes Wyatt who shaped our cultural landscape with their talent and vision.

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