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Plate 535. Movement of the Hand; Beating Time, 1885 (collotype on paper)

Plate 535. Movement of the Hand; Beating Time, 1885 (collotype on paper)


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Plate 535. Movement of the Hand; Beating Time, 1885 (collotype on paper)

3950508 Plate 535. Movement of the Hand; Beating Time, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24x29.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume VII, Males & Females Draped & Misc. Subjects); gift of the Edwin J. Beinecke Trust; English, out of copyright

Media ID 23659220

© gift of the Edwin J. Beinecke Trust / Bridgeman Images

Animal Locomotion Early Motion Picture Sequence Fingers Frames Hands Limb Motion Sequence Sequential Stop Motion B W Photo Black And White Photograph


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This photograph, titled "Plate 535. Movement of the Hand; Beating Time" captures a moment frozen in time by the renowned photographer Eadweard Muybridge. Taken in 1885 as part of his groundbreaking series "Animal Locomotion" this collotype print showcases Muybridge's pioneering work in early motion picture sequences. The image depicts a hand in motion, beating time with rhythmic precision. Each frame within the sequence reveals the fluid movement of the fingers and limbs, offering a scientific study into human locomotion. Muybridge's meticulous attention to detail is evident as he dissects every nuance of this simple gesture. As one examines this photograph, it becomes clear that it represents more than just an artistic composition; it serves as a testament to Muybridge's contribution to both photography and science. His innovative stop-motion technique paved the way for future advancements in cinematography and animation. Displayed at the Addison Gallery of American Art, Phillips Academy in Andover, MA, USA, this print stands as a reminder of how art can intersect with scientific exploration. The monochromatic tones add depth and intensity to each frame captured on paper. "Plate 535. Movement of the Hand; Beating Time" invites viewers to appreciate not only its aesthetic appeal but also its historical significance within the realm of sequential photography and early motion pictures. It continues to inspire curiosity about human movement while preserving an important chapter in photographic history through Eadweard Muy

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