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Plate 354. Carry Arms, Parade Rest, and Trail Arms, 1872-85 (collotype on paper)
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Plate 354. Carry Arms, Parade Rest, and Trail Arms, 1872-85 (collotype on paper)
3950332 Plate 354. Carry Arms, Parade Rest, and Trail Arms, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.8x30.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume V, Men (Pelvis Cloth)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 22986704
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Bayonet Early Motion Picture Sequence Frames Happy Jolly Jovial Knife Loincloth Motion Pelvis Cloth Semi Naked Sequence Sequential Smile Stop Motion Thong B W Photo Black And White Photograph
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This photograph, titled "Plate 354. Carry Arms, Parade Rest, and Trail Arms" captures a moment frozen in time from the late 19th century. Taken by renowned photographer Eadweard Muybridge as part of his groundbreaking series "Animal Locomotion" this collotype print showcases the study of movement through sequential frames. In this particular image, we see a jovial man with a charming smile and a distinctive moustache. He stands semi-naked, wearing only a pelvis cloth or loincloth while holding various weapons such as a rifle, knife, and bayonet. The composition exudes an air of both strength and playfulness. Muybridge's scientific approach to photography revolutionized our understanding of motion and laid the foundation for early motion picture sequences. Each frame in this sequence allows us to examine the subtle nuances of human movement with precision. Displayed at the Addison Gallery of American Art in Phillips Academy, Andover, MA, USA; this print is part of their esteemed collection gifted by the Edwin J. Beinecke Trust. Its presence serves as a testament to Muybridge's significant contributions to both art and science. As we gaze upon this remarkable piece captured over 140 years ago, it reminds us that even within scientific studies lies beauty waiting to be discovered – an everlasting reminder that art can exist within every facet of our world.
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