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Plate 198. Courtseying, 1885 (collotype on paper)
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Plate 198. Courtseying, 1885 (collotype on paper)
3950461 Plate 198. Courtseying, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.7x38.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume VII, Males & Females Draped & Misc. Subjects); gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659658
© gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Bowing Curtseying Curtsy Early Motion Picture Sequence Formal Frames Motion Sequence Sequential Stop Motion Victorian Style B W Photo Black And White Photograph
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This photograph, titled "Plate 198. Courtseying, 1885" captures a moment frozen in time by the talented photographer Eadweard Muybridge. The image showcases a woman dressed in Victorian style attire gracefully performing a curtsy, her dress billowing around her as she lowers herself with elegance and poise. Muybridge's collotype print is part of his groundbreaking series called "Animal Locomotion" published in 1887. This particular plate belongs to Volume VII, which focuses on males and females draped in various subjects. It offers us a glimpse into the early days of motion picture sequences, where Muybridge meticulously captured movement through stop-motion frames. The scientific nature of this photograph is evident as it serves as an invaluable study for understanding human locomotion during the Victorian era. Through sequential images like this one, Muybridge aimed to unravel the mysteries of movement and shed light on its intricacies. The woman's formal bowing gesture adds an air of sophistication to the composition while highlighting societal norms prevalent at that time. Her graceful posture suggests both respect and submission within Victorian etiquette. As we delve into this mesmerizing piece from Bridgeman Images' collection, we are transported back to a bygone era filled with gracefulness and meticulous observation. Muybridge's work continues to captivate audiences today with its blend of artistry and scientific exploration—a testament to his enduring legacy in photography and motion studies.
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