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No. 51 Minakuchi: Famous Dried Gourd Shavings From 53 Stations of the Tokaido, c. 1833 (woodcut)
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No. 51 Minakuchi: Famous Dried Gourd Shavings From 53 Stations of the Tokaido, c. 1833 (woodcut)
2563058 No. 51 Minakuchi: Famous Dried Gourd Shavings From 53 Stations of the Tokaido, c.1833 (woodcut) by Hiroshige, Ando or Utagawa (1797-1858); 22.2x35 cm; Free Library of Philadelphia; © Free Library of Philadelphia ; Print and Picture Collection, Free Library of Philadelphia; Japanese, out of copyright
Media ID 22260206
© Print and Picture Collection, Free Library of Philadelphia / Bridgeman Images
Dried East Asia East Asian Gourd Huts Shavings Tokaido Ukiyo E 53 Stations Minakuchi
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This woodcut print, titled "No. 51 Minakuchi: Famous Dried Gourd Shavings From 53 Stations of the Tokaido" transports us to a bygone era in Japan. Created around 1833 by Hiroshige, Ando or Utagawa, this artwork measures 22.2x35 cm and is housed in the Free Library of Philadelphia. The scene depicted showcases a serene landscape with lush greenery and traditional Japanese huts nestled amongst nature's beauty. The artist skillfully captures the essence of East Asia through his meticulous attention to detail and use of vibrant colors. In the foreground, we see figures - both male and female - engaged in their daily activities. A woman delicately holds dried gourd shavings, which were famous at that time for their various uses in Japanese culture. These shavings were often utilized as decorative elements or even as materials for crafting utensils. As our gaze extends further into the distance, we are greeted by more huts dotting the landscape along the renowned Tokaido route. This historic road connected Edo (modern-day Tokyo) to Kyoto during Japan's Edo period. The woodcut technique employed here adds depth and texture to this mesmerizing composition known as ukiyo-e art style – a popular genre during Hiroshige's time. This print not only offers an exquisite visual experience but also serves as a window into Japan's rich cultural heritage from centuries past. It is truly a testament to Hiro
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