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Robert Lovelace preparing to abduct Clarissa Harlowe, from Clarissa

Robert Lovelace preparing to abduct Clarissa Harlowe, from Clarissa


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Robert Lovelace preparing to abduct Clarissa Harlowe, from Clarissa

SOU84435 Robert Lovelace preparing to abduct Clarissa Harlowe, from Clarissa by Samuel Richardson (1689-1761) (oil on canvas) by Hayman, Francis (1708-76); 63.5x76.3 cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; English, out of copyright

Media ID 23216270

© Southhampton City Art Gallery / Bridgeman Images

Kidnap Pure Rake Villain Lovers


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> Arts > Art Movements > Landscapes

> Arts > Artists > H > Francis Hayman

> Arts > Artists > T > David the Younger Teniers

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Oil paintings

> Arts > Realistic drawings > Landscape paintings > Fine art

> Arts > Realistic drawings > Landscape paintings > Oil paintings

> Europe > United Kingdom > England > Hampshire > Related Images

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EDITORS COMMENTS
In this oil painting by Francis Hayman, we are transported to a pivotal moment in Samuel Richardson's novel "Clarissa". The scene depicts the notorious character Robert Lovelace preparing to abduct the virtuous Clarissa Harlowe. The composition is filled with tension and anticipation as Lovelace stands beside his carriage, ready to whisk Clarissa away from her safe haven. The landscape surrounding them adds an air of secrecy and danger, hinting at the treacherous journey that lies ahead for these star-crossed lovers. Hayman's skillful brushwork brings out the contrasting personalities of the characters. Lovelace, portrayed as a villainous rake, exudes confidence and cunning in his dark attire. In contrast, Clarissa appears pure and innocent in her flowing white gown, emphasizing her vulnerability in this perilous situation. This painting captures a crucial moment in the narrative where love clashes with societal expectations and moral boundaries. It serves as a reminder of the timeless allure of forbidden romance and explores themes of power dynamics and personal agency. Displayed at Southampton City Art Gallery in Hampshire, UK, this artwork continues to captivate viewers with its dramatic portrayal of one of literature's most infamous kidnappings. As we gaze upon it today, we are reminded of both the enduring power of storytelling and the complexities inherent within human relationships.

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