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Courting, 1868 (w / c & bodycolour over pencil on pencil)
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Courting, 1868 (w / c & bodycolour over pencil on pencil)
2956817 Courting, 1868 (w/c & bodycolour over pencil on pencil) by Claxton, Adelaide (1835-c.1905); 31.7x45 cm; Private Collection; (add.info.: An early watercolour by this intelligent observer of social niceties, who, with her sister Florence, was forced by circumstance (their father was the not very successful painter Marshall Claxton) to make a living as an artist. The sisters often worked together, but Florences marriage and subsequent retirement from painting in the year Courting was painted prompted Adelaide to produce more ambitious work. Adelaide married in 1874. The astute social commentary of much of the Claxton sisters work anticipated modern feminism.); Photo eThe Ms Gallery, London; English, out of copyright
Media ID 22528826
© The Maas Gallery, London / Bridgeman Images
Conversing Courting Dating Lover Lovers
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EDITORS COMMENTS
This print showcases Adelaide Claxton's "Courting, 1868" a remarkable watercolour that offers a glimpse into the social dynamics of the era. The painting, measuring 31.7x45 cm, is part of a private collection and beautifully captures the essence of courtship in Victorian society. Adelaide Claxton, along with her sister Florence, found themselves compelled to pursue art as their livelihood due to their father's lackluster career as a painter. Working closely together on various projects, it was Florence's departure from painting after getting married that prompted Adelaide to create more ambitious works like "Courting". In this piece, we witness an astute observer of social niceties at work. The female figure appears shy yet alluringly coy while engaging in conversation with her male counterpart. Their body language suggests the delicate dance of courtship and hints at the complexities inherent in romantic relationships during that time. The Claxton sisters' artistic endeavors often contained subtle but incisive social commentary ahead of their time—an early anticipation of modern feminism. Through this particular artwork, Adelaide skillfully portrays not only love and affection but also highlights societal expectations placed upon women. This print is courtesy of Bridgeman Images through eThe Ms Gallery in London and serves as a testament to Adelaide Claxton's talent for capturing intimate moments infused with profound insights into human behavior and relationships.
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