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Rejected Addresses, 1876

Rejected Addresses, 1876


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Rejected Addresses, 1876

BRA33250 Rejected Addresses, 1876 by Lidderdale, Charles Sillem (1831-95); 128x86.5 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; English, out of copyright

Media ID 23346898

© Bradford Museums & Galleries / Bridgeman Images

Doorway Pensive Rejection Turned Away


FEATURES IN THESE COLLECTIONS

> Europe > United Kingdom > England > West Yorkshire > Bradford

> Europe > United Kingdom > England > West Yorkshire > Related Images

> Europe > United Kingdom > England > Yorkshire > Bradford

> Europe > United Kingdom > England > Yorkshire > Related Images

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Charles Sillem Lidderdale

> Fine Art Finder > Artists > Claude Vignon

> Fine Art Finder > Women 19th And Early 20th Century


EDITORS COMMENTS
In this photo print, titled "Rejected Addresses, 1876" we are transported to a bygone era of Victorian elegance and societal norms. The image captures a moment of profound emotion as a young woman stands in front of an ornate doorway, her face etched with pensive contemplation. Dressed in intricate lace attire that epitomizes the fashion of the time, she exudes both vulnerability and strength. The painting skillfully portrays the theme of rejection, evoking empathy from viewers who can easily imagine themselves in her shoes. Perhaps turned away from a social gathering or denied entry into an exclusive event, her posture suggests resilience despite facing disappointment. The artist Charles Sillem Lidderdale masterfully employs light and shadow to enhance the depth and mood of the scene. Every brushstroke brings life to this poignant portrayal, allowing us to feel the weight of her emotions. Displayed at Bradford Art Galleries and Museums in West Yorkshire, UK, this artwork serves as a testament to Lidderdale's talent for capturing human experiences through his artistry. As we gaze upon this timeless piece from Fine Art Finder via Bridgeman Images' collection, we are reminded that rejection is not limited to any particular era; it is an intrinsic part of the human condition that transcends time.

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