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Three panels depicting the Battle of Blenheim, c. 1765 (coloured engraving)

Three panels depicting the Battle of Blenheim, c. 1765 (coloured engraving)


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Three panels depicting the Battle of Blenheim, c. 1765 (coloured engraving)

NAM250522 Three panels depicting the Battle of Blenheim, c.1765 (coloured engraving) by Laguerre, Louis (1663-1721) (after); National Army Museum, London; (add.info.: left to right: The attack upon the village of Blenheim; A brigade of French Foot in the centre of the Field of Battle; Prince Eugene of Savoy attacking the Left Wing of the French Army; War of the Spanish Succession (1702-13); ); eNational Army Museum; French, out of copyright

Media ID 23362820

© National Army Museum / Bridgeman Images

Mounted Tactics Wading


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EDITORS COMMENTS
This coloured engraving, titled "Three panels depicting the Battle of Blenheim" takes us back to the dramatic events of 1704 during the War of the Spanish Succession. Created by Louis Laguerre and reproduced in 1765, this print showcases three distinct scenes from the battle. Starting from left to right, we witness "The attack upon the village of Blenheim". The chaos and intensity are palpable as soldiers engage in fierce combat amidst burning buildings. Moving towards the center panel, our attention is drawn to "A brigade of French Foot in the centre of the Field of Battle". Here, formations clash with strategic precision while smoke billows around them. Finally, on the right side, we see "Prince Eugene of Savoy attacking the Left Wing of the French Army". This scene captures a pivotal moment as Prince Eugene leads his troops into a decisive assault against their adversaries. The artist's skillful rendering brings these historical figures and their valiant actions to life. Through this artwork, Laguerre immortalizes one of Europe's most significant battles and pays homage to those who fought bravely at Blenheim. It serves as a reminder not only of military tactics but also highlights moments that shaped history forever. Displaying this print allows us to appreciate both its artistic merit and historical significance within our own space.

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