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Design drawing for the proposed wolkenbugel (cloud-iron) building by el lissitzky (lazar markovich lissitzky) that was never built, 1926

Design drawing for the proposed wolkenbugel (cloud-iron) building by el lissitzky (lazar markovich lissitzky) that was never built, 1926


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Design drawing for the proposed wolkenbugel (cloud-iron) building by el lissitzky (lazar markovich lissitzky) that was never built, 1926

FAT4941322 Design drawing for the proposed wolkenbugel (cloud-iron) building by el lissitzky (lazar markovich lissitzky) that was never built, 1926 by Lissitzky, Eliezer (El) Markowich (1890-1941); (add.info.: Design drawing for the proposed wolkenbugel (cloud-iron) building by el lissitzky (lazar markovich lissitzky) that was never built, 1926); Sovfoto/UIG

Media ID 24709162

© Sovfoto/UIG / Bridgeman Images

Communism Constructivism Constructivist Draughtsman Illustrating  buildings


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> Fine Art Finder > Artists > Eliezer Markowich (1890-1941) Lissitzky


EDITORS COMMENTS
The design drawing for the proposed Wolkenbugel (Cloud-Iron) building by El Lissitzky showcases the visionary mind of this influential artist and architect. Created in 1926, this print captures a structure that was never built but leaves viewers in awe of its futuristic and innovative design. Lissitzky's Wolkenbugel building is a testament to his commitment to pushing the boundaries of architecture. The towering structure seems to defy gravity with its cloud-like form, blending seamlessly into the sky. Its iron framework suggests strength and stability, while also evoking a sense of lightness and ethereality. This drawing exemplifies Lissitzky's involvement in the constructivist art movement, which sought to merge art with technology and industry. The bold lines and geometric shapes reflect his fascination with modernism and his belief in using art as a tool for social change. Although it remains unrealized, this architectural masterpiece continues to inspire architects and artists alike. Its timeless appeal lies not only in its avant-garde aesthetic but also in its representation of Lissitzky's utopian vision for society. As we gaze upon this black-and-white image, we are transported back to the early twentieth century when innovation was at its peak. This print serves as a reminder that even though some designs may never come to fruition, their impact on our collective imagination can be everlasting.

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