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The Three Graces, detail of the lunettes, 1518-19 (fresco)
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The Three Graces, detail of the lunettes, 1518-19 (fresco)
3660831 The Three Graces, detail of the lunettes, 1518-19 (fresco) by Correggio, (Antonio Allegri) (c.1489-1534); Camera di San Paolo, Convento di San Paolo, Parma, Emilia-Romagna, Italy; (add.info.: Parma, Former Monastery of St. Paul, Chamber of the Abbess or of St Paul or of Giovanna da Piacenza, the vault: frescoes on the theme of Diana by Antonio Allegri, known as il Correggio (1518-9)
Parma, Ex-Monastero di San Paolo, Camera della Badessa o Camera di San Paolo o di Giovanna da Piacenza, la volta: affreschi di Antonio Allegri, detto " il Correggio " (1518-1519) incentrati sul tema di Diana. Particolare di lunetta con affresco monocromo di statue: " Le Tre Grazie".); Ghigo Roli
Media ID 25165404
© Ghigo Roli / Bridgeman Images
Ceiling Chamber Of Saint Paul Cherubini Correggio 1489 1534 Diana Dome Emilia Romagna Ex Monastero Di San Paolo Former Convent Of Saint Paul Frescoes Muralist Painte Parma Pergola Vault Cherub Cherubim Cherubs
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EDITORS COMMENTS
This print captures a stunning detail of the lunettes in Correggio's masterpiece, "The Three Graces". Painted between 1518-19 as part of the frescoes adorning the Camera di San Paolo in Parma, Italy, this artwork showcases the immense talent and creativity of Antonio Allegri, also known as il Correggio. In this particular section of the vaulted ceiling, we are treated to a monochrome fresco depicting three graceful statues representing "The Three Graces". These mythological goddesses symbolize beauty, charm, and grace. Their elegant poses and serene expressions exude an ethereal aura that captivates viewers. Set against a backdrop reminiscent of a pergola adorned with cherubs and hunting scenes featuring Diana, goddess of the hunt, this artwork transports us to another time. The intricate details and masterful use of light and shadow showcase Correggio's skill as a painter. Originally created for the former Monastery of St. Paul's Chamber or Giovanna da Piacenza's Chamber (also known as Camera della Badessa), these frescoes have stood the test of time and continue to inspire awe in art enthusiasts today. Through this print by Bridgeman Images, we can appreciate not only Correggio's genius but also Emilia-Romagna's rich artistic heritage. It serves as a reminder that great works like these transcend time and continue to evoke emotions centuries after their creation.
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