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Hanging of Revelation (1373-1383), n. 70: the Word of God loads the Beets. N

Hanging of Revelation (1373-1383), n. 70: the Word of God loads the Beets. N


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Hanging of Revelation (1373-1383), n. 70: the Word of God loads the Beets. N

JLJ4599564 Hanging of Revelation (1373-1383), n. 70: the Word of God loads the Beets. N. 74: Saint John before the Angel and Jerusalem New. Tapestry by Nicolas Bataille (1330-1405), 14th century. Angers, Musee De La Tapestry by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; (add.info.: Hanging of Revelation (1373-1383), n. 70: the Word of God loads the Beets. N. 74: Saint John before the Angel and Jerusalem New. Tapestry by Nicolas Bataille (1330-1405), 14th century. Angers, Musee De La Tapestry); Photo ePhoto Josse; French, out of copyright

Media ID 22540878

© Josse / Bridgeman Images

Apocalypse End Of The World Israel Israeli Jerusalem Saint John


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> Arts > Artists > B > Nicolas Bataille

> Asia > Israel > Jerusalem Heritage Sites > Old City of Jerusalem and its Walls

> Asia > Israel > Jerusalem

> Europe > France > Angers

> Fine Art Finder > Artists > (c.1445-1527) Liberale da Verona

> Fine Art Finder > Artists > Nicolas Bataille


EDITORS COMMENTS
This print showcases the intricate tapestry titled "Hanging of Revelation" by Nicolas Bataille, dating back to the 14th century. The artwork depicts two distinct scenes: in panel 70, we witness the powerful imagery of the Word of God loading beets, symbolizing a profound message yet to be unveiled. In panel 74, Saint John stands before an angel and a vision of Jerusalem anew. The tapestry's remarkable craftsmanship is on full display as it transports us back to medieval times. Created by Bataille during his artistic prime between 1373 and 1383, this masterpiece resides in Angers' Musee De La Tapestry. The image captures our attention with its rich symbolism and religious connotations. It evokes thoughts about the end of days, horsemen heralding change, and divine messengers guiding humanity through tumultuous times. The inclusion of angels adds an ethereal touch while emphasizing spiritual significance. As we explore this piece further, we are reminded that art has always been a medium for storytelling and reflection across cultures and centuries. This particular tapestry offers glimpses into both French history and biblical narratives surrounding Jerusalem. With its historical context firmly rooted in France's Middle Ages, this photograph invites us to appreciate not only Bataille's skill but also the enduring power of art to transcend time and connect us with our pasts.

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