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L adoration des bergers (The Adoration of the Shepherds) - Peinture de Benvenuto Tisi da Garofalo (Il Garolafo) (1481-1559), huile sur bois, 41, 5x55 cm, 1536-1537, art italien, 16e siecle, manierisme - Musei Capitolini, Rome (Italie)
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L adoration des bergers (The Adoration of the Shepherds) - Peinture de Benvenuto Tisi da Garofalo (Il Garolafo) (1481-1559), huile sur bois, 41, 5x55 cm, 1536-1537, art italien, 16e siecle, manierisme - Musei Capitolini, Rome (Italie)
FIA5388056 L adoration des bergers (The Adoration of the Shepherds) - Peinture de Benvenuto Tisi da Garofalo (Il Garolafo) (1481-1559), huile sur bois, 41, 5x55 cm, 1536-1537, art italien, 16e siecle, manierisme - Musei Capitolini, Rome (Italie) by Garofalo, Benvenuto Tisi da (1481-1559); Musei Capitolini, Rome, Italy; Photo © Fine Art Images
Media ID 24740752
© Fine Art Images / Bridgeman Images
Adoration Of The Shepherds Aureola Blessed Virgin Holy Family Nativity Prostration Saint Joseph Santo Shepherd Cinquecento
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EDITORS COMMENTS
This print showcases the masterpiece "L'adoration des bergers (The Adoration of the Shepherds)" by Benvenuto Tisi da Garofalo, also known as Il Garolafo. Created in 1536-1537 during the Italian Renaissance, this oil on wood painting measures 41.5x55 cm and is currently housed at Musei Capitolini in Rome, Italy. Garofalo's work beautifully depicts the biblical scene of the shepherds adoring baby Jesus. The composition exudes a sense of reverence and awe as Saint Joseph and other figures join in prayerful prostration before the holy family. The vibrant colors bring life to this religious narrative, with rich hues highlighting each character's role within the story. Noteworthy details include an aureola surrounding Jesus, symbolizing his divinity, while animals such as oxen and donkeys add a touch of realism to the scene. Through skillful brushwork and attention to detail, Garofalo captures both human emotion and spiritual devotion. This artwork represents not only a significant moment from Christian tradition but also exemplifies elements of manierism - a style characterized by elongated proportions and exaggerated gestures popular during that era. As we gaze upon this remarkable piece through Fine Art Images' lens, we are transported back to 16th-century Italy where art flourished under Renaissance ideals. It serves as a testament to Garofalo's talent as well as his ability to convey profound religious themes through his master
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