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Country portraits (sewing women). Painting by Gustave Caillebotte (1848-1894), 1876
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Country portraits (sewing women). Painting by Gustave Caillebotte (1848-1894), 1876
JLJ4974529 Country portraits (sewing women). Painting by Gustave Caillebotte (1848-1894), 1876. Bayeux, Musee Baron Gerard by Caillebotte, Gustave (1848-94); Musee Baron Gerard, Bayeux, France; (add.info.: Country portraits (sewing women). Painting by Gustave Caillebotte (1848-1894), 1876. Bayeux, Musee Baron Gerard); Photo ePhoto Josse; French, out of copyright
Media ID 22565072
© Josse / Bridgeman Images
Domestic Stain Dressmaking Embroidery Housewife
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EDITORS COMMENTS
This print showcases Gustave Caillebotte's masterpiece, "Country portraits (sewing women)" from 1876. The painting, housed in the Musee Baron Gerard in Bayeux, France, beautifully captures a scene of domesticity and leisure during the late 19th century. In this enchanting artwork, Caillebotte skillfully depicts two women engrossed in their sewing work. One woman sits gracefully on a garden bench with a book in her lap while delicately stitching fabric. Her posture exudes elegance and concentration as she immerses herself in her craft. Beside her stands another woman who attentively reads aloud from a book. The composition is filled with intricate details that bring the scene to life - from the carefully embroidered fabrics to the lush greenery surrounding them. Through his brushstrokes, Caillebotte invites us into this intimate moment of daily life, capturing not only the artistry of dressmaking but also celebrating literature and female companionship. This print allows us to appreciate both the technical brilliance of Caillebotte's painting and its ability to transport us back in time. It serves as a reminder of how art can capture fleeting moments and preserve them for generations to come. Whether you are an admirer of French culture or simply appreciate fine art at its finest, this print is sure to captivate your imagination and add an air of sophistication to any space it graces.
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