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The Mocking of Christ, from the Altarpiece of the Passion, 1517-20 (tempera on panel)

The Mocking of Christ, from the Altarpiece of the Passion, 1517-20 (tempera on panel)


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The Mocking of Christ, from the Altarpiece of the Passion, 1517-20 (tempera on panel)

XIR234536 The Mocking of Christ, from the Altarpiece of the Passion, 1517-20 (tempera on panel) by Ronzen, Antonio (fl.1500-25); Basilica of Mary Magdalene, St. Maximin-La-Sainte-Baume, France; (add.info.: The background of this painting is a representation of Venice, Ronzens city of origin.); Italian, out of copyright

Media ID 12767606

© www.bridgemanimages.com

Aux Outrages Bound Derision Insults Mockery Mocking Piazzetta Ponce Pontius Pilate Retable Tied Up


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EDITORS COMMENTS
This print showcases "The Mocking of Christ" from the Altarpiece of the Passion, created between 1517-20 by Antonio Ronzen. Painted with tempera on panel, this Renaissance masterpiece is housed in the Basilica of Mary Magdalene in St. Maximin-La-Sainte-Baume, France. The artwork depicts a powerful scene where Jesus Christ endures mocking and derision at the hands of Pontius Pilate's soldiers. Bound and tied up, he stands amidst a crowd that jeers and insults him mercilessly. The artist skillfully captures the anguish on Christ's face as he faces humiliation and physical abuse. What makes this painting even more intriguing is its background—a representation of Venice, Ronzen's city of origin. This inclusion adds depth to the composition while also providing insight into the artist's personal connection to his work. "The Mocking of Christ" serves as a poignant reminder of human cruelty and suffering but also highlights themes such as faith, resilience, and sacrifice. Through his masterful use of color, texture, and composition, Ronzen transports viewers back in time to witness this pivotal moment in Christian history. This remarkable print allows art enthusiasts to appreciate every intricate detail within this historical piece while contemplating its profound emotional impact. It serves as a testament to both Ronzen's artistic prowess and his ability to convey deep spiritual narratives through visual storytelling.

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