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The three Graces, detail of the rear part, 1812-17 (marble)
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The three Graces, detail of the rear part, 1812-17 (marble)
6342979 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Le tre Grazie, 1812-17, di Antonio Canova (1757 - 1822), marmo. Dettaglio della parte posteriore.); Ghigo Roli
Media ID 25137838
© Ghigo Roli / Bridgeman Images
Abbraccio Antonio Canova Arte Bellezza Femminile Divinita Donna Embrace Female Beauty Female Figure Figura Femminile Grace Grazia Grazie L Ottocento Lottocento Marmo Mitología Neoclassicism Neoclassicismo Nudo Olimpo Olympus Scultura Sensualita Sensuality Statua Tenderness Tenerezza The 19th Century The Charites The Graces Xix Secolo Divinity
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EDITORS COMMENTS
This print captures the exquisite beauty and timeless elegance of Antonio Canova's masterpiece, "The three Graces". The detail of the rear part showcased in this image reveals the artist's remarkable craftsmanship and attention to every intricate curve and contour. Canova, a renowned neoclassical sculptor, created this marble sculpture between 1812-17. It is now housed in the State Hermitage Museum in St. Petersburg, Russia. The three Graces, also known as the Charites in Greek mythology, represent charm, beauty, and gracefulness. In this photograph by Ghigo Roli, we witness the ethereal allure of these divine goddesses. Their nudity symbolizes purity and vulnerability while celebrating female beauty with utmost delicacy. The embrace shared by these figures exudes tenderness and affection. This artwork transports us back to the 19th century when neoclassicism flourished as an artistic movement. Canova's mastery shines through his ability to capture both physical perfection and emotional depth within his sculptures. As we gaze upon this print, we are reminded of the eternal power that art holds – its ability to evoke emotions and transcend time. It serves as a testament to Canova's genius as well as our fascination with mythology and feminine grace.
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