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Christ and St. Thomas, Orsanmichele church, Florence, Italy, 1467-83 (bronze)

Christ and St. Thomas, Orsanmichele church, Florence, Italy, 1467-83 (bronze)


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Christ and St. Thomas, Orsanmichele church, Florence, Italy, 1467-83 (bronze)

7277532 Christ and St. Thomas, Orsanmichele church, Florence, Italy, 1467-83 (bronze) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany, Italy; (add.info.: Christ and St. Thomas, by Andrea del Verrocchio, Orsanmichele church, Florence, Italy); © Imagebroker

Media ID 27995068

© Imagebroker / Bridgeman Images

2 People 2 Persons Apostles Belief Cortile Di Palazzo Vecchio Disbelief Doubt Doubting Doubting Thomas Florentino Palazzo Vecchio S Thomas Saint Thomas St Thomas The Apostle Thomas The Apostle Tuscan Two Persons 15th 15 Xv Xvth Fifteenth Century Apostle Christ Jesus Jesus Of Nazareth Reinassance Renaissance Time


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> Arts > Artists > V > Andrea del Verrocchio

> Arts > Artists > V > Andrea Verrocchio

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> Europe > Italy > Sculptures

> Europe > Italy > Tuscany > Florence

> Europe > Italy > Tuscany > Related Images

> Fine Art Finder > Artists > Andrea del Verrocchio

> Fine Art Finder > Artists > Antoni Gaudi

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Bronze statues

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art > Renaissance sculpture


EDITORS COMMENTS
This print showcases the exquisite bronze sculpture of "Christ and St. Thomas" by Andrea del Verrocchio, located in the Orsanmichele church in Florence, Italy. Created between 1467-83 during the Renaissance period, this masterpiece beautifully captures a significant biblical moment. The artwork portrays Jesus Christ and St. Thomas engaging in a profound encounter that symbolizes doubt and faith. The vibrant colors bring life to the scene, highlighting the emotional intensity of their interaction. As St. Thomas reaches out to touch Christ's wounds, his expression reflects both disbelief and longing for confirmation. Verrocchio's attention to detail is evident in every aspect of this sculpture; from the intricate folds of their garments to the delicate facial features that convey deep introspection. This piece stands as a testament to Verrocchio's mastery as an artist during this transformative era. Located within Orsanmichele Church and Museum, this sculpture holds historical significance not only for its artistic value but also for its religious importance. It serves as a reminder of Christ's resurrection and St. Thomas' journey towards unwavering faith. As we gaze upon this remarkable image captured by Karlheinz Irlmeier, we are transported back in time to witness a pivotal moment in Christian history—a moment where doubt meets belief and skepticism transforms into unshakable conviction.

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