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"Fair Rosamund"(Rosemonde Clifford, avant 1140-1175 / 1176) Peinture d Arthur Hughes (1832-1915)1854 Dim 40, 3x30, 5 cm National Gallery of Victoria, Melbourne
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"Fair Rosamund"(Rosemonde Clifford, avant 1140-1175 / 1176) Peinture d Arthur Hughes (1832-1915)1854 Dim 40, 3x30, 5 cm National Gallery of Victoria, Melbourne
FIA5387982 " Fair Rosamund" (Rosemonde Clifford, avant 1140-1175/1176) Peinture d Arthur Hughes (1832-1915)1854 Dim 40, 3x30, 5 cm National Gallery of Victoria, Melbourne by Hughes, Arthur (1832-1915); National Gallery of Victoria, Melbourne, Australia; Photo © Fine Art Images
Media ID 24741646
© Fine Art Images / Bridgeman Images
Bucolic Courtier England English Medieval Period
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This print showcases Arthur Hughes' painting titled "Fair Rosamund" depicting Rosemonde Clifford, a historical figure from the 12th century. Created in 1854, this artwork measures 40.3x30.5 cm and is housed at the National Gallery of Victoria in Melbourne. In this enchanting piece, Hughes transports us to a lush garden where we find Fair Rosamund herself. The vibrant colors and intricate details bring her story to life as she stands amidst blooming flowers and verdant plants. Her youthful beauty radiates through the canvas, capturing our attention with her graceful presence. The painting's bucolic setting adds an air of tranquility, while the open door hints at hidden secrets waiting to be discovered within the medieval period it represents. As a courtier during that time, Fair Rosamund was known for her charm and allure, making her an intriguing subject for artists throughout history. Hughes' skillful use of color further enhances the visual impact of this artwork. The rich hues create a sense of depth and dimensionality that draws viewers into its world. Overall, this stunning portrayal by Arthur Hughes invites us to delve into the beauty and mystery surrounding Fair Rosamund's existence during England's medieval era. It serves as a testament to both his artistic talent and his ability to capture timeless stories on canvas.
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