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The Duke of Orleans Leaves the Palais-Royal and Goes to the Hotel de Ville on 31st July 1830
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The Duke of Orleans Leaves the Palais-Royal and Goes to the Hotel de Ville on 31st July 1830
XIR141289 The Duke of Orleans Leaves the Palais-Royal and Goes to the Hotel de Ville on 31st July 1830, 1832 (oil on canvas) by Vernet, Antoine Charles Horace (Carle) (1758-1836); 215x261 cm; ChAteau de Versailles, France; French, out of copyright
Media ID 12723896
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Duc Dorleans French Architecture King Of France Leaving Louis Philippe Palais Royal Royal Palace Town Hall
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The Duke of Orleans Leaves the Palais-Royal and Goes to the Hotel de Ville on 31st July 1830
EDITORS COMMENTS
is a captivating painting by Antoine Charles Horace Vernet that captures a significant moment in French history. The artwork, measuring 215x261 cm, depicts the Duke of Orleans, Louis Philippe, departing from the grandeur of the Palais-Royal towards the Hotel de Ville. Painted in 1832, this oil on canvas masterpiece showcases Vernet's exceptional talent for capturing intricate details and emotions. The scene is set against a backdrop of stunning French architecture as crowds gather to witness this historic event. A majestic horse carries the Duke through an enthusiastic crowd eagerly awaiting his arrival at their destination. This pivotal moment symbolizes political change as Louis Philippe ascended to power after the July Revolution of 1830. As King of France from 1830 to 1848, he brought stability and prosperity during his reign known as "The Citizen King". This painting not only immortalizes an important historical figure but also highlights Vernet's ability to convey movement and atmosphere with remarkable skill. Currently housed at Château de Versailles in France, this artwork serves as a testament to both artistic excellence and historical significance. It allows viewers to step back in time and experience firsthand one of France's most transformative periods. With its vibrant colors, meticulous attention to detail, and powerful narrative, Vernet's work continues to captivate audiences centuries later.
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