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The Nanterre Cake Seller, number 10 from The Cries of Paris series, engraved

The Nanterre Cake Seller, number 10 from The Cries of Paris series, engraved


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The Nanterre Cake Seller, number 10 from The Cries of Paris series, engraved

XIR189532 The Nanterre Cake Seller, number 10 from The Cries of Paris series, engraved by Francois Seraphin Delpech (1778-1825) (colour litho) by Vernet, Antoine Charles Horace (Carle) (1758-1836) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: marchand de gateaux de Nanterre; ); French, out of copyright

Media ID 12703327

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Saleswoman Selling Street Trader Vendor


EDITORS COMMENTS
The Nanterre Cake Seller, number 10 from The Cries of Paris series, captures the vibrant essence of street life in 19th century France. This exquisite print, engraved by Francois Seraphin Delpech and based on the original work by Antoine Charles Horace Vernet, showcases the talent and attention to detail that defined this era. In this scene, we see a female vendor skillfully navigating through the bustling market with her basket full of delectable cakes from Nanterre. Her presence adds an air of sweetness to the chaotic surroundings as she calls out to potential customers with her distinct cry. The colorful lithography brings every aspect of this lively moment to life - from the intricate patterns on her dress to the array of pastries neatly arranged in her basket. The Nanterre Cake Seller is not just a beautiful piece of art but also a window into history. It provides us with a glimpse into everyday life during a time when street traders played an integral role in providing goods and services to their communities. This print serves as a reminder of how these unsung heroes contributed to shaping society. Displayed at Musee de la Ville de Paris, Musee Carnavalet in Paris, France, this artwork continues to captivate viewers with its timeless charm. Whether you appreciate it for its artistic merit or historical significance, The Nanterre Cake Seller is sure to leave you craving more.

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