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Peters denial. Maesta altarpiece (tempera and gold on wood, 1308-1311)
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Peters denial. Maesta altarpiece (tempera and gold on wood, 1308-1311)
LRI4571733 Peters denial. Maesta altarpiece (tempera and gold on wood, 1308-1311) by Duccio di Buoninsegna, (c.1278-1318); Museo dell Opera del Duomo, Siena, Italy; (add.info.: La Maesta La passion: le reniement de Pierre (Peters denial) Front of the altarpiece - Painting by Duccio di Buoninsegna (1255-1319), 1308-1311 Dim 50x76 cm Tempera on wood with golden background Museo dell Opera del Duomo, Siena (Museum of the work of the Cathedrale of Siena)); Luisa Ricciarini; Italian, out of copyright
Media ID 22283956
© Luisa Ricciarini / Bridgeman Images
Apotre Late Natural Elements 4 Passion Saint Peter Trecento Aureole
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EDITORS COMMENTS
This print captures the profound moment of Peter's denial, depicted in Duccio di Buoninsegna's Maesta altarpiece. Created between 1308 and 1311, this masterpiece is a testament to the artist's skill and devotion. The tempera and gold on wood medium adds depth and richness to the scene. In this particular panel, measuring 50x76 cm, we witness Peter's anguish as he denies his association with Jesus Christ during His crucifixion. The painting showcases Duccio di Buoninsegna's mastery in capturing human emotions through art. The golden background symbolizes the divine nature of the event while emphasizing its significance within religious iconography. This piece is housed at the Museo dell Opera del Duomo in Siena, Italy, where it continues to inspire visitors with its spiritual power. Luisa Ricciarini expertly photographed this artwork, preserving every intricate detail for viewers to appreciate. Her lens brings out the vibrancy of colors and textures present in Duccio di Buoninsegna's original creation. This print serves as a window into both art history and religious devotion. It allows us to reflect upon our own faith journeys while appreciating the artistic brilliance that has endured throughout centuries.
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