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The Immaculate Conception and the saints, 1689 (oil on canvas)
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The Immaculate Conception and the saints, 1689 (oil on canvas)
7128859 The Immaculate Conception and the saints, 1689 (oil on canvas) by Maratta or Maratti, Carlo (1625-1713); Santa Maria del Popolo, Rome, Italy; (add.info.: The Immaculate Conception and the saints John Evangelist, John Baptist, Augustine, Gregory, Carlo Maratta, chapel Cybo, church of Santa Maria del Popolo, Rome, Italy); Photo © Stefano Baldini
Media ID 31934805
© Stefano Baldini / Bridgeman Images
Augustine Augustine Of Hippo Baroque Art Baroque Style Blessed Virgin Blessed Virgin Mary Evangelist Evangelists Gregory Nazianzen Gregory The Theologian Holy Virgin Holy Virgin Mary John Apostle John The Apostle John The Bapist John The Baptist John The Evangelist Mater Dei S Augustine S Augustine Of Hippo S Gregory S Johan S John S John Baptist S John Evangelist Saint Augustine Saint Augustine Of Hippo Saint Augustinus Saint Giovanni Saint Gregoire De Nazianze Saint Gregory Saint Gregory Of Nazianzus Saint Jean Saint John Apostle Saint John The Baptist Saint John The Evangelist Sanctus Joannes Ev St Augustine St Gregory Of Nazianzus St John The Apostle St John The Baptist St John The Evangelist St Mary The Virgin The Evangelist Virgin Mry Virgo Immaculata 17 17th 17th 17th Xvii 18th Century Art Style Biblical Charcter Biblical Figure Circa 1600 Early 17th Century Early Xvii Century Seventeeth Century
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EDITORS COMMENTS
This print showcases Carlo Maratta's masterpiece, "The Immaculate Conception and the saints" painted in 1689. The oil on canvas artwork is housed in the renowned Santa Maria del Popolo church in Rome, Italy. In this stunning portrayal of religious devotion, Maratta skillfully captures the essence of Christian spirituality. The central figure is the Virgin Mary, depicted as immaculately conceived and surrounded by a heavenly glow. She is joined by an array of revered saints including John Evangelist, John Baptist, Augustine, and Gregory. Maratta's attention to detail and mastery of color bring these biblical figures to life. Each saint exudes a sense of divine presence through their serene expressions and graceful postures. As viewers gaze upon this painting, they are transported back to 17th-century Europe when Baroque art flourished. The composition not only celebrates religious iconography but also pays homage to Maratta himself. Positioned within the artwork is a self-portrait of the artist alongside his contemporaries in the chapel Cybo. Stefano Baldini's expert photography beautifully captures every nuance and brushstroke of Maratta's work for all to appreciate beyond its physical location at Santa Maria del Popolo. This image serves as a testament to both artistic brilliance and unwavering faith that continues to inspire generations across time and continents.
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