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Revelation: the damns are pierced by an encircling glow, 1446-1449 (fresco)
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Revelation: the damns are pierced by an encircling glow, 1446-1449 (fresco)
AIS5387482 Revelation: the damns are pierced by an encircling glow, 1446-1449 (fresco) by Vecchietta, Lorenzo di Pietro (c.1412-80); Ospedale di Santa Maria della Scala, Siena, Italy; (add.info.: in Cappella del Sacro Chiodo); Italian, out of copyright
Media ID 23339670
© Bridgeman Images
15 15th Century Xv Century Aureola Chastisement Brightening Medieval Period Punishment Quattrocento
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EDITORS COMMENTS
This print captures the essence of Vecchietta's masterpiece, "Revelation: the damns are pierced by an encircling glow". Painted between 1446 and 1449 as a fresco in the Cappella del Sacro Chiodo at Ospedale di Santa Maria della Scala in Siena, Italy, this artwork is a testament to the artist's skill and creativity. The image showcases a scene from biblical lore, depicting angels piercing through the darkness that engulfs damned souls. The encircling glow emanating from these celestial beings brings both hope and trepidation to those who witness it. It is a powerful representation of chastisement and punishment within religious context. Vecchietta's attention to detail is evident in every brushstroke, capturing not only the physicality of his subjects but also their emotional turmoil. The use of vibrant colors against a dark backdrop creates an atmosphere that evokes both awe and fear. This piece exemplifies medieval art during the Quattrocento period while hinting at emerging Renaissance influences. Its significance extends beyond its artistic value; it offers insights into science, meteorology, and religious beliefs prevalent during this time. As we gaze upon this remarkable wall painting from the fifteenth century, we are reminded of humanity's eternal struggle with mortality and our quest for salvation. This print serves as a window into history—a visual narrative that transcends time—allowing us to appreciate Vecchietta's
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