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Boulevard de la Madeleine, the charlatan Lithography by George Emanuel Opitz (1775-1841
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Boulevard de la Madeleine, the charlatan Lithography by George Emanuel Opitz (1775-1841
JLJ4614793 Boulevard de la Madeleine, the charlatan Lithography by George Emanuel Opitz (1775-1841) 1831 Paris. Carnavalet Museum by Opitz, Georg Emanuel (1775-1841); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Boulevard de la Madeleine, the charlatan Lithography by George Emanuel Opitz (1775-1841) 1831 Paris. Carnavalet Museum); Photo ePhoto Josse; German, out of copyright
Media ID 23711374
© Josse / Bridgeman Images
Charlatan Morals Sale At The Auction Street Vendor Travelling Merchant Merchant
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EDITORS COMMENTS
The captivating lithograph, "Boulevard de la Madeleine, the charlatan" by George Emanuel Opitz, takes us back to the bustling streets of 19th-century Paris. This enchanting print captures a vivid street scene filled with merchants and society members going about their daily lives. Opitz's attention to detail is evident in every aspect of this artwork. From the intricately designed buildings lining Boulevard de la Madeleine to the lively crowd that fills the frame, each element adds depth and character to this depiction of French life. In the foreground stands a charismatic charlatan, drawing crowds with his promises of miraculous cures and potions. Dressed in flamboyant attire and surrounded by an array of mysterious bottles and instruments, he captivates passersby with his persuasive salesmanship. This lithograph not only showcases everyday life but also offers insights into societal norms and values during that era. The presence of a doctor nearby suggests both skepticism towards such traveling merchants as well as concerns over moral implications. Displayed at the Carnavalet Museum in Paris, Opitz's work continues to fascinate viewers today. It serves as a window into history, allowing us to immerse ourselves in a vibrant moment frozen in time. As we gaze upon this remarkable piece from Opitz's collection, we are transported back centuries ago when Boulevard de la Madeleine was alive with activity—a testament to art's ability to transcend time and capture fleeting moments for generations to come.
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