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The Virgin Receives Communion of St John the Baptist Painting by Alonso Cano (1601-1667
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The Virgin Receives Communion of St John the Baptist Painting by Alonso Cano (1601-1667
LRI4699135 The Virgin Receives Communion of St John the Baptist Painting by Alonso Cano (1601-1667) 17th century Genes, Musei di Strada Nuova (ex Palazzo Bianco) by Cano, Alonso (1601-67); Musei di Strada Nuova, Palazzo Rosso, Genova, Liguria, Italy; (add.info.: The Virgin Receives Communion of St John the Baptist Painting by Alonso Cano (1601-1667) 17th century Genes, Musei di Strada Nuova (ex Palazzo Bianco)); Luisa Ricciarini; Spanish, out of copyright
Media ID 22463750
© Luisa Ricciarini / Bridgeman Images
Candle Candle Holder Chalice Communion Eucharist Host Prostration Saint John The Baptist Seicento Aureole
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EDITORS COMMENTS
This print captures the essence of Alonso Cano's masterpiece, "The Virgin Receives Communion of St John the Baptist". Painted in the 17th century, this artwork is housed in Genes, Musei di Strada Nuova (ex Palazzo Bianco), showcasing its timeless beauty. In this scene, we witness a profound moment as the Virgin Mary receives communion from St. John the Baptist. The painting radiates holiness and spirituality through its depiction of an aureole surrounding both figures. The angelic presence adds to the ethereal atmosphere, while a candle holder illuminates their sacred encounter. Cano's attention to detail is evident in every brushstroke; from the delicate folds of Mary's robe to the intricate chalice used for communion. The composition exudes reverence and devotion as Mary humbly kneels before an altar adorned with candles. "The Virgin Receives Communion of St John the Baptist" invites viewers into a world where religion intertwines with artistry seamlessly. It serves as a reminder of faith's power and significance throughout history. Luisa Ricciarini skillfully captures this iconic piece through her lens, preserving its magnificence for generations to come. This print allows us to appreciate Cano's genius from afar and brings us closer to understanding his artistic vision within religious context.
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