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Series of portraits of illustrious men: portrait of Pope Gregory I
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Series of portraits of illustrious men: portrait of Pope Gregory I
LRI2905949 Series of portraits of illustrious men: portrait of Pope Gregory I, known as the Great (532-604), c.1435-75 (oil on panel) by Joos van Gent (Joos van Wassenhove) (fl.1460-75); Galleria Nazionale delle Marche, Urbino, Marche, Italy; (add.info.: Pope Gregory I (Latin: Gregorius I; c. 540 - 12 March 604), commonly known as Saint Gregory the Great, [1] was Pope from 3 September 590 to his death in 604. Gregory is well known for his writings, which were more prolific than those of any of his predecessors as pope.[2] He is also known as St. Gregory the Dialogist in Eastern Christianity because of his Dialogues. For this reason, English translations of Eastern texts will sometimes list him as " Gregory Dialogus".); Luisa Ricciarini; Netherlandish, out of copyright
Media ID 22421650
© Luisa Ricciarini / Bridgeman Images
Affluence Ages Austere Bejewelled Formal Garments Gloves Gregory Middle Niche Papal Posthumous Regalia
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This portrait print showcases the esteemed Pope Gregory I, also known as Saint Gregory the Great. Painted by Joos van Gent in the late 15th century, this oil on panel artwork is currently housed in the Galleria Nazionale delle Marche in Urbino, Italy. Pope Gregory I was a significant figure during his papacy from 590 to 604. Renowned for his prolific writings and intellectual contributions, he surpassed all of his predecessors as pope. His extensive body of work earned him the title "Gregory Dialogus" in Eastern Christianity due to his Dialogues. In this formal portrait, Pope Gregory appears austere yet regal. He dons richly embellished robes and a crown that symbolize both his religious authority and worldly wealth. The intricate details of his bejeweled gloves and biblical book reflect his devotion to Christianity. The painting's composition places Pope Gregory within a niche, emphasizing his importance within the Church hierarchy. The artist skillfully captures not only the physical likeness but also conveys an aura of wisdom and spirituality through meticulous brushstrokes. This posthumous portrayal serves as a testament to Pope Gregory's enduring influence on Christian theology and history. It offers viewers a glimpse into medieval times when religion played a central role in society, showcasing both opulence and reverence associated with papal power.
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