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Self portrait as a soldier, 1870-71 (pen and ink on paper)

Self portrait as a soldier, 1870-71 (pen and ink on paper)


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Self portrait as a soldier, 1870-71 (pen and ink on paper)

CHT164047 Self portrait as a soldier, 1870-71 (pen and ink on paper) by Verlaine, Paul (1844-96); 19.5x15.5 cm; Bibliotheque Litteraire Jacques Doucet, Paris, France; (add.info.: J'ai voulu mourir a la guerre, la guerre n'a pas voulu de moi';); © Archives Charmet; French, out of copyright

Media ID 23357046

© Archives Charmet / Bridgeman Images

Bayonet Relaxed Signature


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EDITORS COMMENTS
This photograph captures the essence of Paul Verlaine's self-portrait as a soldier. Created in 1870-71, during a time of war and turmoil, this pen and ink drawing reflects the artist's innermost thoughts and emotions. Verlaine's face is depicted with remarkable detail, showcasing his contemplative expression. The lines on his forehead reveal the weight of his experiences as a soldier, while his piercing eyes seem to convey both weariness and resilience. Holding a bayonet-tipped rifle in one hand, he exudes an air of strength mixed with vulnerability. Despite the somber subject matter, there is an unexpected sense of relaxation emanating from this self-portrait. Verlaine confidently holds a pipe between his lips, symbolizing moments of solace amidst chaos. This juxtaposition highlights the complex nature of war – where even soldiers find fleeting moments to indulge in personal pleasures. The artist's signature at the bottom adds authenticity to this intimate portrayal. It serves as a reminder that behind every uniformed soldier lies an individual with their own hopes, fears, and dreams. Displayed at Bibliotheque Litteraire Jacques Doucet in Paris, France, this print offers viewers an opportunity to delve into Verlaine's psyche during one of history's most tumultuous periods. As we gaze upon this striking image today, it serves as both a testament to human resilience and a poignant reflection on the futility of war.

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