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San Giovenale Triptych: right panel with Saint Anthony the Great and Saint Juvenal
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San Giovenale Triptych: right panel with Saint Anthony the Great and Saint Juvenal
LRI4573279 San Giovenale Triptych: right panel with Saint Anthony the Great and Saint Juvenal (Giovenale) - altarpiece, 1422 by Masaccio, Tommaso (1401-28); Masaccio Sacred Art Museum, Cascia Reggello, Florence, Italy; (add.info.: Triptych of San Giovenale (San Giovenale Triptych or Cascia Altarpiece): right panel representing the eveque of Saint Giovenale of Narni and Saint Anthony the Great - right panel with Saint Anthony and Saint Juvenal (Giovenale)) Painting by Tommaso di ser Giovanni di Mone Cassai dit Masaccio (1401-1422 Museo Masaccio Cascia di Reggello); Luisa Ricciarini; Italian, out of copyright
Media ID 23715442
© Luisa Ricciarini / Bridgeman Images
Eveque Lacrosse Saint Antoine Quattrocento
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EDITORS COMMENTS
This print showcases the right panel of the San Giovenale Triptych, a masterpiece created by the renowned Italian artist Masaccio in 1422. The panel features two prominent figures from Christian history, Saint Anthony the Great and Saint Juvenal. The painting is housed in the Masaccio Sacred Art Museum, located in Cascia Reggello, Florence, Italy. Its intricate details and vibrant colors are beautifully captured in this print by photographer Luisa Ricciarini. Masaccio's skillful brushwork brings to life these revered saints who played significant roles within religious orders during the Quattrocento period. Saint Anthony stands tall with his iconic attributes as a hermit and founder of monasticism while Saint Juvenal, depicted as an eveque (bishop), exudes wisdom and piety. Through this artwork, Masaccio not only pays homage to these holy figures but also demonstrates his mastery of Renaissance art techniques. The composition reflects a harmonious blend of human form and divine spirituality that was characteristic of this era. As we gaze upon this print, we are transported back to 15th-century Italy where sacred art flourished under the skilled hands of artists like Masaccio. It serves as a reminder of both our rich cultural heritage and our enduring fascination with religious iconography.
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