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Louis XVIII climbing the Mat de Cocagne (etching)
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Louis XVIII climbing the Mat de Cocagne (etching)
AQS332003 Louis XVIII climbing the Mat de Cocagne (etching) by Charles, William (1776-1820); 33.8x24.5 cm; American Antiquarian Society, Worcester, Massachusetts, USA; (add.info.: an attack on French politics after the removal of Napoleon to St. Helena and the restoration of the French monarchy; Louis XVIII (1755-1824); ); eCourtesy, American Antiquarian Society; American, out of copyright
Media ID 23205440
© Courtesy, American Antiquarian Society / Bridgeman Images
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EDITORS COMMENTS
This etching titled "Louis XVIII climbing the Mat de Cocagne" by William Charles is a powerful commentary on French politics during the restoration of the monarchy after Napoleon's exile to St. Helena. The print, housed in the American Antiquarian Society in Worcester, Massachusetts, USA, measures 33.8x24.5 cm and showcases Charles' satirical genius. In this thought-provoking artwork, we witness Louis XVIII (1755-1824), depicted as a caricatured king, attempting to climb a treacherous pole known as the Mat de Cocagne. This symbolic representation highlights the challenges faced by Louis XVIII as he tries to regain control over France amidst political turmoil. The artist's use of satire is evident through his portrayal of flames engulfing a church in the background. This fiery imagery serves as a scathing critique of both religious institutions and those who exploit them for personal gain. Through this etching, Charles masterfully captures not only political tensions but also societal unrest during this period of transition. His attention to detail and skillful execution make it clear why this artwork has become an important part of historical documentation. As viewers contemplate this image from Bridgeman Images' Fine Art Finder collection, they are invited to reflect on themes such as power dynamics, social criticism, and the consequences of political upheaval. It serves as a reminder that art can be an influential medium for expressing dissent and provoking change even centuries later.
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