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John Bull making what he calls a demonstration, c. 1815 (hand-coloured etching)
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John Bull making what he calls a demonstration, c. 1815 (hand-coloured etching)
AQS332002 John Bull making what he calls a demonstration, c.1815 (hand-coloured etching) by Charles, William (1776-1820); 15.3x25.4 cm; American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy, American Antiquarian Society; American, out of copyright
Media ID 23709716
© Courtesy, American Antiquarian Society / Bridgeman Images
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EDITORS COMMENTS
This hand-coloured etching titled "John Bull making what he calls a demonstration" captures the satirical essence of 19th-century political cartoons. Created by William Charles in approximately 1815, this artwork measures 15.3x25.4 cm and is housed at the American Antiquarian Society in Worcester, Massachusetts. The image depicts John Bull, a personification of England, engaged in what he considers a demonstration. However, upon closer inspection, it becomes clear that his actions are more comical than impactful. The scene takes place in New Orleans during the War of 1812 and portrays John Bull as an exaggerated caricature with colonial aspirations. In this satirical portrayal, John Bull is shown biting into a crocodile while riding on horseback. This absurd juxtaposition highlights the perceived audacity and aggression of British colonial ambitions in America's Deep South during this time period. The artist employs biting wit to comment on Britain's involvement in the Southern states' affairs and their attempts to maintain control over their colonies across the globe. Through clever symbolism and visual storytelling techniques, Charles presents a scathing critique of British imperialism. This print serves as both historical documentation and artistic commentary on international relations during the early 19th century. It invites viewers to reflect on power dynamics between nations while appreciating its intricate details and masterful execution.
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