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Studies of a Horse, 1868-75 (graphite with stumping on tan wove paper)

Studies of a Horse, 1868-75 (graphite with stumping on tan wove paper)


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Studies of a Horse, 1868-75 (graphite with stumping on tan wove paper)

5859142 Studies of a Horse, 1868-75 (graphite with stumping on tan wove paper) by Degas, Edgar (1834-1917); 30.5 -- 24.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Edgar Degas)

Media ID 32114298

© Bridgeman Images

Edgar Degas Impressionssm One Animal Only One Animal Preparatory Drawing Preparatory Sketch Study Drawing Unpopulated Art Style Without Anyone Without People


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EDITORS COMMENTS
This print showcases Edgar Degas' "Studies of a Horse" created between 1868 and 1875. The artwork, rendered in graphite with stumping on tan wove paper, measures approximately 30.5 by 24.6 cm and is housed at The Art Institute of Chicago in Illinois, USA. Degas, renowned for his contributions to the Impressionist movement, demonstrates his exceptional skill as both a painter and artist through this exquisite piece. The horse takes center stage against a backdrop devoid of any human presence or distractions. The black-and-white composition adds depth and intensity to the subject matter while emphasizing the intricate details captured by Degas' masterful hand. This preparatory sketch offers viewers an intimate glimpse into the artist's process as he explores various angles and poses of the majestic creature. As one gazes upon this mesmerizing study drawing, it becomes evident that Degas possessed an innate ability to capture not only the physicality but also the spirit of his subjects. His profound understanding of anatomy is showcased through every stroke, breathing life into each line. Through this remarkable work, we are transported back to 19th-century France where horses were an integral part of daily life. Degas' artistry transcends time as he immortalizes these noble creatures with grace and elegance. This print from Bridgeman Images allows us to appreciate Degas' genius up close and serves as a testament to his enduring legacy within the world of art history.

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