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David Consoled, c. 1896 (stained glass)

David Consoled, c. 1896 (stained glass)


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David Consoled, c. 1896 (stained glass)

6313612 David Consoled, c.1896 (stained glass) by Burne-Jones, Edward Coley (1833-98); 416.5x89 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Stained glass window in six panels depicting a female figure personifying Fortitudo (fortitude) surmounting the narrative panel of David Consoled, panels of grisaille on diamond quarries and an inscription, the whole within an oak leaf border. Designed and painted by Sir Edward Coley Burne-Jones in 1896 for Morris and Co. Installed in St. Cuthberts Church, Newcastle upon Tyne.
Manufacturer : William Morris
designer : Sir E. C. Burne-Jones); eTyne & Wear Archives & Museums; English, out of copyright

Media ID 22773158

© Tyne & Wear Archives & Museums / Bridgeman Images

Charity Fortitude Lament Lamenting Personification Personifications


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones

> Arts > Artists > J > William E. Jones

> Arts > Artists > M > William Morris

> Europe > United Kingdom > England > Tyne and Wear > Newcastle upon Tyne

> Europe > United Kingdom > England > Tyne and Wear > Related Images

> Europe > United Kingdom > Northern Ireland > County Down > Newcastle

> Europe > United Kingdom > Wales > Pembrokeshire > St Davids

> Fine Art Finder > Artists > Alexander Nasmyth

> Fine Art Finder > Artists > Edward Coley Burne-Jones


EDITORS COMMENTS
This print showcases the exquisite stained glass artwork titled "David Consoled, c. 1896" by Edward Coley Burne-Jones. The piece, measuring an impressive 416.5x89 cm, can be found at the Laing Art Gallery in Newcastle-upon-Tyne, UK. The stained glass window is divided into six panels and features a central narrative panel depicting David being consoled. Above this scene stands a female figure personifying Fortitudo (fortitude), symbolizing strength and resilience in the face of adversity. Surrounding these panels are intricate designs of grisaille on diamond quarries and an oak leaf border. Designed and painted by Sir Edward Coley Burne-Jones in 1896 for Morris & Co. , this masterpiece was originally installed in St. Cuthberts Church in Newcastle upon Tyne. It is a testament to both Burne-Jones' artistic prowess and his collaboration with renowned manufacturer William Morris. The photograph captures the beauty and intricacy of the stained glass window, showcasing its vibrant colors and delicate details. It serves as a reminder of the enduring power of art to evoke emotion and inspire contemplation. Alastair Carew-Cox's skillful photography allows us to appreciate this remarkable work from afar while preserving its historical significance for future generations to admire.

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