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The seven works of corporal misericorde: "the visit of prisoners"
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The seven works of corporal misericorde: "the visit of prisoners"
LRI4693307 The seven works of corporal misericorde: " the visit of prisoners" Painting by Cornelis De Wael (1592-1667) (ec.flam) Genes, collection Banco di Chiavari by Wael, Cornelis de (1592-1667); Collection Banco di Chiavari, Genoa, Italy; (add.info.: The seven works of corporal misericorde: " the visit of prisoners" Painting by Cornelis De Wael (1592-1667) (ec.flam) Genes, collection Banco di Chiavari); Luisa Ricciarini; Flemish, out of copyright
Media ID 22827720
© Luisa Ricciarini / Bridgeman Images
Charity Christendom Equity Flemish Style Generosity Jail Moral Virtue Prisoner
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EDITORS COMMENTS
This print showcases the masterpiece painting "The seven works of corporal misericorde: 'the visit of prisoners'" by Cornelis De Wael. The artwork, housed in the Banco di Chiavari collection in Genoa, Italy, depicts a profound scene that resonates with themes of Christian compassion and generosity. In this remarkable composition, De Wael skillfully captures the essence of humanity's moral duty to aid those who are imprisoned. The image portrays a moment of profound connection as a Christian visitor engages with prisoners, offering solace and support amidst their confinement. Through his masterful use of color and light, De Wael brings forth an atmosphere that evokes empathy and understanding. The painting not only highlights the virtue of charity but also serves as a reminder of the importance of equity within society. It speaks to the power religion holds in inspiring acts of kindness and underscores its role in shaping our collective consciousness. Luisa Ricciarini expertly captures this Flemish-style masterpiece through her lens, allowing viewers to appreciate every intricate detail. This print is not just an artistic representation; it is a testament to the enduring impact art can have on our perception and understanding. As we gaze upon this image, we are reminded that even within the confines of jail cells, there exists an opportunity for human connection and redemption—a powerful message conveyed through both paintbrush strokes and camera lenses alike.
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